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A Jaguar usually has either single-coils or humbuckers, while Jazzmaster will commonly feature soapbar-style single-coil pickups. It allows us to play around with as many different sounds as possible. Another mid-decade development was Fender’s highly successful Jaguar Bass (2006), which was essentially a Jazz Bass dressed up in Jaguar form, with additional Jaguar-inspired electronics that gave it remarkable tonal versatility. These options were also made available on the Stratocaster and Jazzmaster from 1962 on. Through a combination of springs, plates, levers and a bridge that rocked back and forth, the guitar supposedly maintained its intonation better with the vibrato in use. When i was looking at a Jaguar the scale length is 24 and the fingerboard radius is 9.5 so im just wondering what all the numbers actually mean and if it would be hard to get used to after playing a strat because of the differences. The Jaguar’s rhythm circuit consisted of a single slide switch on the upper horn that delivered a more bass-heavy neck-pickup-only sound, with its own adjacent volume and inset tone wheels (all mounted to, of course, a chrome plate). Believe it or not, Fender has actually used a number of different scale lengths over the course of their history as a company. Kurt Cobain’s preference for the Jaguar in the early 1990s dramatically underscores the fact that the Jaguar has proven far more popular in the modern era than it ever did during the 1960s and early ’70s, and the renewed popularity prompted the revitalized modern-era Fender to resume domestic production of the guitar, which it did in 1999. save hide report. Embedded content:, Kevin Shields and Bilinda Butcher (My Bloody Valentine), Johnny Marr (Smiths, The The, Modest Mouse), Blixa Bargeld (Einstürzende Neubauten, Nick Cave and the Bad Seeds), James Johnston (Gallon Drunk, Nick Cave and the Bad Seeds), Troy Van Leeuwen (A Perfect Circle, Queens of the Stone Age), Bradford Cox and Lockett Pundt (Deerhunter). The standard Fender Jaguar has no humbuckers (some models do), but it certainly offers a wide variety of sounds and effects – as well as plenty of buttons! The Jaguar had taller, narrower Strat-like high-output pickups that sounded much hotter. Yet there are elegant modern touches and refinements, too—block fingerboard inlays, a new neck-angle-pocket cut for improved pitch, a re-positioned tremolo plate for increased bridge break angle and sustain, and specially designed single-coil pickups producing thicker tone and hotter output. The latter, an addition to the Blacktop family, is distinguished by specially designed single-coil pickups, three-way toggle switching and skirted black amp knobs. For example, switching pickups can dramatically alter your guitar’s tone. At the shorter end of the spectrum you have the DuoSonic with a 22 and a half inch scale length, as well as the Jaguar, which uses a 24-inch scale length. Actually, it was considered Fender's top-of-the-line model until 1967 when Hendrix change everything, with his usage of the Stratocaster. Messages: 377 Likes Received: 129. 81% Upvoted. Jaguar switching is also usually slightly different, offering a mid-cut switch and individual on/off switches for both pickups. The Fender Classic Player series Jaguar Special and Jaguar Special HH models, built in Mexico, appeared in 2009, and the high-output Blacktop Jaguar HH was released in 2010. Gibson’s stripped-down Les Paul Junior was partly so beloved because it only had one pickup, giving it a single amazing sound. SCALE One very fundamental difference between Fender’s Jazzmaster and Jaguar guitars is the scale length. Jaguars everywhere began collecting dust until the punk explosion of the '70s and its subsequent mutations took it from relic to iconic. Finally, a Jaguar commonly has a 24" scale length compared to a Jazzmaster's 25.5". With more controls than any other Fender instrument, the Jaguar had the most elaborate circuitry of any Fender instrument. The Jaguar had the most elaborate circuitry of any Fender instrument. share. Finally, the introduction of the Jaguar marked the first appearance of a new Fender headstock logo known as the “transition” logo, so named because it bridged the gap between the the company’s original spaghetti logo and the heavy black logo adopted at the end of the 1960s. But given the still-increasing dominance of the both the Telecaster and Stratocaster, and with the British Invasion of 1964 all but wiping out surf music as a charting entity, the Jaguar (much like the Jazzmaster) soon found itself relegated to secondary status. Cobain’s use of the Jaguar spurred it to even greater revived popularity, and he himself played a central role in the design of a hybrid instrument, the Jag-Stang, which Fender introduced in 1995—a year after Cobain’s untimely passing. Fender used its original thin “spaghetti” logo throughout the 1950s until Robert Perine, the adman who created Fender’s stylish late-’50s and 1960s advertising look (including the famous “You won’t part with yours either” campaign), designed a thicker version of it eventually known as the “transition” logo, so named because it bridged the gap between the spaghetti logo and the heavy black logo adopted at the end of the 1960s.

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